15TH ANNIVERSARY SEASON • 2017-18
Details subject to change
ACIS & GALATEA (1718): G.F. HANDEL Concert Version October 20, 21
Handel's Acis and Galatea (1718 version) was his first dramatic work in English when it premiered as a one-act masque at the Cannons estate, home of the composer’s patron James Brydges, the Duke of Chandos. Acis & Galatea portrays the love affair between the nymph Galatea and the shepherd Acis, whose reunion is thwarted by the monster Polyphemus. A magnificent work from beginning to end filled with Handel's masterful dramatic storytelling.
ACIS: Derek Chester GALATEA: Teresa Wakim POLYPHEMUS: Mischa Bouvier
DAMON: John Russell CORIDON: Matthew Tresler
MESSIAH: G.F. HANDEL Complete Performance December 18, 19, 20
Bach Collegium San Diego's annual performances of Messiah have become one of the country’s most compelling interpretations of this beloved oratorio, emphasizing Handel's prowess as one of the great composers of dramatic music from the eighteenth-century. A stellar ensemble brings both the grandeur and intimacy to this seminal work.
Clara Rottsolk, Soprano Melanie Russell, Soprano Jay Carter, Countertenor
Derek Chester, Tenor Mischa Bouvier, Baritone
SOUNDSCAPE: MUSICAL ARCHITECTS OF THE BAROQUE Scott Allen Jarrett, Guest Conductor March 2, 3 A collection of vocal masterpieces displaying exceptional musical architecture, centering on Domenico's Scarlatti's Stabat Mater, a work displaying grandeur and a depth of expression, and Bach's supremely crafted motet Jesu, meine Freude. An ensemble of 10 singers and basso continuo, led by guest conductor Scott Allen Jarrett, brings this exciting program to life.
Stabat Mater à 10, Domenico Scarlatti
Jesu, meine Freude BWV 227, J.S. Bach
Magnificat à 6, Claudio Monteverdi
Die Himmel erzählen die Ehre Gottes, Heinrich Schütz
Selig sind die Toten & Nunc Dimittis (from Musikalische Exequien), Schütz
WELCOME TO ALL THE PLEASURES! Henry Purcell: The Sacred and the Profane May 11, 12
One of the greatest and most original composers of the seventeenth century, Henry Purcell produced a uniquely English form of music by incorporating French and Italian stylistic elements into his compositions. Two celebratory odes, written to commemorate St. Cecilia and Queen Mary respectively, serves as the backdrop for this festive program.
Margot Rood, Soprano Aaron Sheehan, Tenor Enrico Lagasca, Bass
Welcome to all the Pleasures (Ode to St. Cecilia's Day, 1683)
Now does the glorious day appear (Birthday Ode for Queen Mary, 1689)
Rejoice in the Lord alway (Bell Anthem)
Man that is born of a woman (from Funeral Music for Queen Mary, 1695)
In the midst of life (from Funeral Music for Queen Mary, 1695)
Including excerpts from King Arthur and Fairy Queen
Individual Concert tickets will be available for purchase August 1.
Season tickets are $208 for Premium Seating and $133 for General Admission seating.
INDIVIDUAL CONCERT TICKETS
Tickets to concerts in October, March, and May are $50 for Premium Seats and $35 for General Admission.
Senior General Admission tickets are $32; Student tickets are $15 (with valid student ID).
Tickets for Messiah are $70 for Premium Seats and $40 for General Admission.
Senior General Admission tickets to Messiah are $35; Student tickets are $20 (with valid student ID).